Vogue·英国

Vogue·英国

britishvogue

“It’s difficult to find that supersized star power,” #EmeraldFennell says of trying to cast the perfect Cathy. “Margot comes with big dick energy. That’s what Cathy needs.” Her admiration for #BritishVogue’s January 2026 cover star is echoed by her #WutheringHeights co-star. “Margot is a force,” #JacobElordi tells @Rad.Seth. “And she makes it look easy. Sometimes I think she has Hermione’s Time-Turner – she can raise a baby, shoot a movie, produce four others and still meet for a beer at 5pm.” Click the link in bio to read the interview, and see the full story in the new issue, on newsstands Tuesday 16 December. Margot Robbie photographed by @MikaelJansson and styled by @RobbieSpencer, with hair by @BryceScarlett, make-up by @PatiDubroff, nails by @AmaQuashie, tailoring by @_DellaGeorge, set design by @MaxBellhouse and production by @HolmesProduction, with thanks to @FirlePlace, East Sussex. [Image Description: Image one shows Margot Robbie against a white background, looking into the camera with her blonde hair loose around her face. She wears a black embroidered jacket and a poufy dark green skirt. Image two shows a blue background with white writing that reads: “Margot comes with big dick energy - Emerald Fennell”. Image three shows Margot Robbie full-length against a white background, wearing the same poufy green skirt, but this time with a white turtleneck top. The top’s sleeves are attached to two rings on Margot’s fingers, one on each hand. Image four shows a blue background with white writing that reads: “Margot is a force. She can raise a baby, shoot a movie, produce four others and still meet for a beer at 5pm – Jacob Elordi”.]

12.04 23:30

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Co-stars #LilyCollins, #AshleyPark and #PhilippineLeroyBeaulieu arrived in Venice this evening to celebrate the much-anticipated new season of #EmilyInParis. Hit the link in bio for everything you need to know, including the upcoming release date.
Introducing the inaugural #VogueBestDressed list, celebrating the models, actors, musicians and more who are shaping the fashion zeitgeist. And no one captures the industry’s current mood better than #BritishVogue’s digital cover star @AdwoaAboah. Click the link in bio to read @AlNewboldSmith’s conversation with the London model – and to find out who else made the list. See the full story in the new issue, on newsstands Tuesday 16 December. #AdwoaAboah photographed by @Studio_Jackson and styled by @TabithaSimmons, with hair by @CyndiaHarvey, make-up by @Petros_Petrohilos, nails by @AmaQuashie and production by @_Honor.Agency. Film directed by @Studio_Jackson, edited by @Ed_FitzpatrickRowell and graded by @GlossNewYork.
Last night at the National Theatre, British rapper @MikeSkinnerLTD assembled a fabulously eclectic crowd for an intimate (and festive) dinner. Who besides Skinner could curate a guestlist that included both garlanded rapper #Dave and historian Dan Jones? Documentarian #LouisTheroux and reclusive grime MC Casisdead? Hit the link in bio for more. Photographed by @Darren_Gerrish.
Fashion fans who watched as @BhavithaMandava opened the @ChanelOfficial Métiers d’art show, staged last week on a New York City subway platform, had no idea how accidentally appropriate the setting was. Why? Because a New York City subway is where the 25-year-old graduate student caught the eye of a fellow passenger a year ago – a passenger who just so happened to be a model scout. Bhavitha’s photo found its way to #MatthieuBlazy, and the rest is history. Read the story behind Mandava’s major Chanel moment at the link in bio.
#MargotRobbie doesn’t think she’ll ever stop acting – next year, production begins on the 1960s Europe-set #OceansEleven prequel she’s starring in with #BradleyCooper – but she’s also keen to direct. “That’s kind of where my focus is shifting to. I’ve wanted to direct for 10 years,” she says in the January 2026 issue. “I haven’t rushed into it, but I feel like it’s getting closer to that time where I’m ready to dive into that.” Click the link in bio to read the interview, and see the full story in the new issue, on newsstands Tuesday 16 December. Margot Robbie photographed by @MikaelJansson and styled by @RobbieSpencer, with hair by @BryceScarlett, make-up by @PatiDubroff, nails by @AmaQuashie, tailoring by @_DellaGeorge, set design by @MaxBellhouse and production by @HolmesProduction, with thanks to @FirlePlace, East Sussex. [Image Descriptions: Image one shows Margot Robbie full-length, with her head tilted up to the sky and her eyes closed. It’s raining, there’s a stone fence behind her, and she wears a sequined bralette and a translucent, floral-printed skirt. Image two is black-and-white and shows Margot Robbie full-length and from her left side, as she walks across a hill with both arms stretched out in front of her. She wears a floor-length white dress which balloons behind her in the wind, and black heeled boots which peek out from underneath.]
#MargotRobbie met her husband Tom Ackerley on the set of the Second World War drama ‘Suite Française’, on which Ackerley was third assistant director. They were London housemates before they got together, and then co-founded their production company, LuckyChap. After getting married in 2016 in a small, private ceremony in Australia’s Byron Bay, Robbie gave birth to their first child in October 2024. “I’m trying to keep that side of things private and protect him,” she says of her one-year-old son. “Earlier in my career. I’d speak more freely in interviews. I’ve just been burnt so many times, when people have taken what I’ve said out of context.” Now, she’s taking the reins. “When you shift from your 20s to your 30s and beyond, you think, ‘I’m going to do things differently. Here are my new boundaries.’” Click the link in bio to read the interview, and see the full story in the new issue, on newsstands Tuesday 16 December. Margot Robbie photographed by @MikaelJansson and styled by @RobbieSpencer, with hair by @BryceScarlett, make-up by @PatiDubroff, nails by @AmaQuashie, tailoring by @_DellaGeorge, set design by @MaxBellhouse and production by @HolmesProduction, with thanks to @FirlePlace, East Sussex. [Image Descriptions: Image one shows Margot Robbie kneeling on a stone floor in a white lace long-sleeved dress. Her blonde hair is loose down her back, and the dress is slightly pulled down, with her shoulders exposed. Image two shows Margot Robbie with a dark red blindfold across her eyes. She’s wearing a white, long-sleeved textured dress and her hands are reaching out towards the camera as she feels her way. Image three shows Margot Robbie from the waist up as she looks at the camera from behind her left shoulder. She’s wearing a giant black hat and a slinky black dress with an open back.]
Before taking over Hollywood, #MargotRobbie used to work behind a bar – so when #BritishVogue tasked her with making cocktails inspired by her favourite films, it came quite naturally. Watch as she makes a Dark and Stormy while discussing acting alongside #JacobElordi, and the #WutheringHeights costumes that are “to die for”. Click the link in bio to watch the film in full. Featuring: Margot Robbie Director: @AlexandraGavillet Director of Photography: @ZEzzeldine Editors: @Evan.Allan & @Likachuu Producer: @ChasedLewis Stylist: @AndrewMukamal Location: @EverlyHollywood [Video Description: Video shows Margot Robbie behind a bar making cocktails, while wearing a striped sleeveless dress with black lace detailing and cut-outs at the waist.]
“I was three months postpartum when we started shooting,” says #MargotRobbie of filming #WutheringHeights. “So I was in a very different headspace. I didn’t do my usual routine. It was more haphazard. And I remember saying to Emerald, ‘What if I’m not prepared enough?’ She kept saying, ‘I don’t want you to prepare. I just need you to be in the moment.’ Which was a lovely way of relieving my anxiety. It was about being in my body as opposed to my head.” Click the link in bio to read the interview, and see the full story in the new issue, on newsstands Tuesday 16 December. Margot Robbie photographed by @MikaelJansson and styled by @RobbieSpencer, with hair by @BryceScarlett, make-up by @PatiDubroff, nails by @AmaQuashie, tailoring by @_DellaGeorge, set design by @MaxBellhouse and production by @HolmesProduction, with thanks to @FirlePlace, East Sussex. [Image Description: Image one shows Margot Robbie in a dark green dress with short sleeves, sitting on a pale green chair. She’s leaning to the left, with her left leg peeking out of the dress, and her left hand holding her head, with her blonde hair loose around her shoulders. Image two shows Margot Robbie from the waist up, looking into the camera. She wears a long-sleeved beige top with a very high collared neckline and ruffle detailing on the shoulders. Her hair is pulled back from her face. Image three shows Margot Robbie full-length, standing on wooden floorboards, with a stone wall behind her, and looking out of a window to her left. She wears an ankle-length black puff-sleeved dress with a full, exaggerated waist, and a visible white bralette with lace detailing. Below that, you can see black leather boots with a tiny heel peeking out.]
#WutheringHeights is #EmeraldFennell’s sweaty, sensual, skin-crawling, deliberately fantastical fever dream with glossy red lacquered floors, heaving bosoms and outlandish, eye-popping costumes – all soundtracked by #CharliXCX. #MargotRobbie was completely captivated by Fennell’s Cathy as soon as she read the script. “I just felt like, not like she’s mine, but like I both understood her and didn’t, in a way that drew me to her,” she says in the January 2026 issue. “It’s this puzzle you have to work out.” Click the link in bio to read the interview, and see the full story in the new issue, on newsstands Tuesday 16 December. Margot Robbie photographed by @MikaelJansson and styled by @RobbieSpencer, with hair by @BryceScarlett, make-up by @PatiDubroff, nails by @AmaQuashie, tailoring by @_DellaGeorge, set design by @MaxBellhouse and production by @HolmesProduction, with thanks to @FirlePlace, East Sussex. [Image Description: Image one shows Margot Robbie against a white background, looking into the camera while wearing a blue dress with voluminous sleeves and ruffles. Her blonde hair is loose around her face, and her hands are on her hips. Image two shows a blue background with white writing that reads: “Everyone’s expecting this to be very, very raunchy. I think people will be surprised. It’s more romantic than provocative – Margot Robbie”. Image three is in black and white, and shows Margot Robbie looking into the camera while wearing a dress with long pale knitted sleeves and ruffles at the neck and at the end of her sleeves. It’s raining heavily behind her and her face and hair are soaked.]
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